The Prodigytheir Law The Singles 19902005 Full _best_ Album Zip Exclusive -

| | Title | Length | Notes | | ----- | ----------------------------------------- | ---------- | ----------------------------------------------------------------------- | | 1 | “Firestarter” | 4:42 | Keith Flint’s snarling breakthrough hit | | 2 | “Their Law” (05 Edit) | 5:36 | feat. Pop Will Eat Itself; the compilation’s title track | | 3 | “Breathe” | 5:36 | featuring guitarist Jim Davies | | 4 | “Out of Space” | 5:02 | built on the immortal “Take me to the hospital” sample | | 5 | “Smack My Bitch Up” | 5:43 | vocals by Shahin Badar; still controversy‑fueled | | 6 | “Poison” (95 EQ) | 4:01 | the snarling Fat of the Land deep cut | | 7 | “Girls” | 4:12 | featuring the Magnificent Ping Pong Bitches | | 8 | “Voodoo People” (05 Edit) | 3:40 | Pendulum later gave this an iconic remix (see Disc 2) | | 9 | “Charly” (Alley Cat Mix) | 5:22 | the 1991 rave classic that sampled a public‑information film | | 10 | “No Good (Start the Dance)” | 6:19 | “You’re no good for me, I don’t need nobody” | | 11 | “Spitfire” (05 Version) | 3:26 | from Always Outnumbered, Never Outgunned | | 12 | “Jericho” | 3:46 | a hidden gem from the Experience era | | 13 | “Everybody in the Place” (Fairground Mix) | 5:09 | pure old‑school rave energy | | 14 | “One Love” | 5:25 | the bridge between hardcore and breakbeat | | 15 | “Hot Ride” | 4:32 | features Juliette Lewis on co‑vocal; a slower, atmospheric closer |

The Prodigy was a highly influential and iconic British electronic music group formed in 1990. The group consisted of Keith Flint (vocals, dancing), Liam Howlett (keyboards, programming), and Derek Greenberg (bass). They were known for their energetic live performances, catchy songs, and unique blend of electronic music styles, including breakbeat, techno, and rock.

Industrial, minimalist textures surfaced in later cuts like "Baby's Got a Temper" and the gritty selections from Always Outnumbered, Never Outgunned . Core Tracklist Overview

The track that turned Keith Flint into an overnight cultural icon. Its distorted bassline and aggressive vocal delivery remain unmatched. | | Title | Length | Notes |

Formed in 1990 in Braintree, Essex, England, The Prodigy consisted of Liam Howlett (keyboards, programming), Keith Flint (vocals, dancing), and Guy-Manuel de Homem-Christe (keyboards, vocals). The group's early sound was characterized by their experimental approach to electronic music, incorporating elements of breakbeat, techno, and rock.

The singles collection delivers an relentless wave of energy across its runtime:

That defiant spirit is exactly what makes Their Law: The Singles 1990–2005 – in any format, physical or digital – an essential piece of Prodigy history. They were known for their energetic live performances,

: Built around a soaring vocal sample, this track became an club staple worldwide.

The chart-topping anthems that brought the "Fat of the Land" era to global prominence.

Their Law: The Singles remains the gold standard for electronic compilations. It captures the raw energy, the rebellious spirit, and the sheer technical genius of Liam Howlett's production during the most formative years of the genre. Its distorted bassline and aggressive vocal delivery remain

The Prodigy bridged the gap between the rock world and the dance floor. They brought the "wall of sound" approach to electronic production, influencing everyone from Chemical Brothers to modern EDM heavyweights.

| | Title | Length | Why It’s Exclusive | | ----- | ------------------------------------------- | ---------- | ---------------------------------------------------------------------- | | 2‑01 | “Razor” | 4:00 | a rare, aggressive B‑side | | 2‑02 | “Back 2 Skool” | 5:02 | another deep cut seldom heard outside fan circles | | 2‑03 | “Voodoo People” (Pendulum Remix) | 5:07 | the breakout remix; later released as a single (UK No. 20) | | 2‑04 | “Under My Wheels” (Remix) | 3:14 | a grinding, industrial‑tinged version | | 2‑05 | “No Man Army” (Edit) | 4:10 | feat. Tom Morello (Rage Against the Machine) – a true collaborative gem | | 2‑06 | “Molotov Bitch” | 4:54 | as explosive as its name suggests | | 2‑07 | “Voodoo Beats” | 3:54 | instrumental beat version of “Voodoo People” | | 2‑08 | “Out of Space” (Audio Bullys Remix) | 4:56 | a UK garage‑infused reworking; also released as a single | | 2‑09 | “The Way It Is” (Live Remix) | 4:16 | captured live and then remixed – raw and dirty | | 2‑10 | “We Are the Ruffest” | 5:18 | old‑school hardcore energy | | 2‑11 | “Your Love” | 6:02 | an overlooked atmospheric track | | 2‑12 | “Spitfire” (Live) | 4:11 | from the Always Outnumbered tour | | 2‑13 | “Their Law” (Live) | 5:31 | the title track in a furious live setting | | 2‑14 | “Breathe” (Live) | 6:39 | extended and even more menacing | | 2‑15 | “Serial Thrilla” (Live) | 5:15 | a Fat of the Land rarity turned into a stage monster | | 2‑16 | “Firestarter” (Live) | 5:21 | closing the set with Keith Flint’s ultimate crowd‑killer |

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Nevertheless, Howlett and the band decided to treat the project as a creative challenge. “I gradually grew to the idea that it might be cool if we can be creative with it. Me being selfish as well, I wanted to hold a record in my hand that had all my best work on.” The result was a singles collection that still managed to sound .