La Primera Piedra 2018 Short Film New -
The performances in the control room are chillingly mundane, treating death as just another day at the office. 🪨 The Moral Mirror
The film's premise is deliberately vague, aiming to unsettle the audience from the outset. IMDb summaries describe the story as focusing on an estranged mother and son—or potentially a "naughty nun" (naughty nun interpretation likely referring to subtextual power dynamics)—who are using each other for one purpose only.
Note: As with many independent short films, distribution for La primera piedra is often limited to film festival archives (such as the Guadalajara International Film Festival or the Morelia International Film Festival) or select VOD platforms. Viewers should check platforms like Vimeo Staff Picks or Festival Scope for availability.
Here’s a proper, critical review of the 2018 short film La primera piedra (sometimes listed as La primera piedra — New or ...new depending on the platform). la primera piedra 2018 short film new
When Izan accidentally causes a minor collapse that injures a coworker, Diego must decide whether to report the incident (which would ruin the boy’s future) or cover it up (which compromises his own integrity). The tension escalates as secrets about the company’s corner-cutting practices emerge. The film’s final shot—a slow zoom on a pile of rubble—forces the audience to ask: Who truly threw the first stone?
The story takes place in a sun-drenched, arid landscape typical of southeastern Spain. An old man takes his young grandson out for a walk to a withered, solitary tree. The atmosphere is heavy with silence, broken only by the wind and the crunch of dry leaves.
The title references the Biblical phrase "Let he who is without sin cast the first stone." In the film, the roles are reversed. Usually, The performances in the control room are chillingly
Perhaps the most consistent praise for the film is directed at its technical execution. One reviewer, writing in December 2018, stated, "While watching this short film purely from a technical point, I saw some good features... I feel like it displays the message fairly well". Another review from June 2018 echoed this sentiment, praising the film's production quality despite its low budget, noting, "Technically a great footage (especially for such a low budget). Lights, colours and images are well processed". The cinematography by Cristian Toma was frequently highlighted as a key asset, with one viewer calling the "camera work and directing... really good".
The final shot—the apprentice lifting the stone above his head—cuts to black before we see whether he drops it or lays it. Ambitious, yes, but after the film’s patient realism, this sudden art-house ambiguity feels like a cop-out rather than a provocation. A single extra second of his eyes would have resolved the tension more satisfyingly.
Temas centrales
The stone, as a symbol, represents the foundation of the community center, but also SofĂa's journey towards healing. It serves as a reminder of the kindness of Juan and the workers, who helped her find her way again.
The film explores a dark and ambiguous relationship between an . The narrative centers on their psychological entanglement, questioning whether they are truly family or if the woman is "just a naughty nun"—a provocative framing that suggests themes of guilt , manipulation , and taboo . The plot emphasizes that both characters are essentially using each other for a single, unspoken purpose. Production Details Director/Writer: Alberto Fernández Prados Key Cast: Isabel Ampudia as the Woman ( Mujer ) Ventura RodrĂguez as the Boy ( Chico ) Cinematography: Cristian Toma Production Company: La Lirio and Juanma MartĂnez Critical Context