Julia Lea Mangolive Basah30-00 Min

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The late‑2000s saw a surge of sound artists addressing climate change—e.g., Jana Winderen’s underwater recordings, and Chris Foster’s “The Noise of the Ocean”. Basah30‑00 Min contributes to this discourse by offering an embodied experience: the audience is not merely a listener but a participant whose bodily interaction (the ripple) becomes part of the ecological feedback loop. The work thus operates as a micro‑simulation of how human presence influences water bodies, albeit in a highly controlled artistic context.

Basah30‑00 Min epitomises these concerns. The title can be read as “wet thirty‑hour minute”, an apparent paradox that invites the listener to question conventional measurements of time and the fluidity of experience. This public link is valid for 7 days

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