The unnamed narrator’s mother dies early in the novel. Their relationship is sketched through memory: cold, status-obsessed, and emotionally withholding. The narrator’s deep lethargy and drug-induced sleep are an unconscious mourning of the mother she never truly had.
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In the Golden Age of Hollywood and beyond, the "good" mother was often a martyr. In Forrest Gump (1994), Sally Field’s Mrs. Gump embodies the unwavering, protective mother whose aphorisms and sacrifices empower her intellectually disabled son to conquer the world. "Life is like a box of chocolates" is not just a line; it is the cornerstone of a relationship built on pure, sustaining love. Similarly, in The Blind Side , Sandra Bullock’s Leigh Anne Tuohy portrays a fierce, proactive maternal figure who adopts and nurtures a young man, representing the idealized, life-saving potential of maternal instinct.
This trope is updated in modern horror films like Ari Aster’s Hereditary (2018). The film explores how grief and ancestral trauma are passed down from a mother to her son. The relationship between Annie (Toni Collette) and her son Peter (Alex Wolff) is fractured by resentment, sleepwalking episodes, and unspoken blame, demonstrating how maternal guilt can manifest as a literal, supernatural nightmare. The Complicated Bonds of Realism
Why are we so obsessed with the mother-son dynamic?
Perhaps because it is the first place we learn what love looks like, and consequently, the first place we learn that love can hurt. For a son, the mother represents the "other"—the first encounter with a mind and body that is different from his own. For a mother, the son represents the inevitable departure; the bittersweet reality that to raise a child correctly is to eventually make yourself unnecessary in their daily life.
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Both mediums tackle the ultimate maternal taboo: a mother who struggles to love her son, and a son who seems born with a malicious disposition. The novel relies on the epistolary format—letters written by the mother, Eva, to her estranged husband—which highlights her internal guilt, doubts, and unreliable narration.
This film offers a hyper-stylized, emotionally explosive look at a widowed mother, Die, and her ADHD-afflicted, volatile son, Steve. Dolan shoots the film in a restrictive 1:1 aspect ratio, visually trapping the characters in their chaotic domestic life. The love between Die and Steve is fierce and undeniable, yet their personalities are too volatile to coexist peacefully. It is a masterpiece of showing how love alone is sometimes not enough to save a child.