--- Documentary Growing 1981 Larry Rivers Link Download New! Guide

Gwynne's testimony was more measured but no less painful. She struggled with bulimia as a teenager and drank to excess into her early 20s. "I just made it go away," she said of the trauma. "Unsuccessfully". She acknowledged that her father knew he was making them uncomfortable: "Maybe every father has some feelings about his daughters turning into young women, and they know it's verboten, so they don't go near it. My father knew it was verboten, so he found a way to luxuriate in his fantasies without, he thought, putting both feet over the line".

Before dissecting the documentary, one must understand its creator. Larry Rivers (born Yitzroch Loiza Grossberg in the Bronx, 1923) defied easy categorization. A jazz saxophonist who played with the likes of Miles Davis, a poet, a sculptor, and a painter, Rivers rose to fame in the 1950s alongside the New York School—though he always remained slightly outside its inner circles.

Growing ironically contrasts its title against the realities of biological aging, exploring how a mature artist maintains creative vitality. --- Documentary Growing 1981 Larry Rivers LINK Download

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This article dives deep into the documentary’s origins, content, and significance within Rivers’ career. Moreover, it provides a responsible roadmap for those seeking to view the film legally, respecting the rights of the artist’s estate, distributors, and archives. Gwynne's testimony was more measured but no less painful

because of the serious ethical and legal concerns surrounding the non-consensual filming of minors. Where to Learn More about Larry Rivers

Art vs. The Destruction of Innocence | - The Art | Crime Archive "Unsuccessfully"

Larry Rivers was a pioneer in mixing different types of art. This 1981 project is an early example of video art.

For art historians and critics, presents a difficult problem: how to evaluate an artist's work when that work caused real, documented harm to vulnerable people. For the general public, the film's very existence raises unsettling questions about what we are willing to accept in the name of art. And for Emma and Gwynne Rivers, "Growing" is not a masterpiece to be preserved—it is a violation to be erased.